「諸眾之貌：亞洲社會運動圖像」(Till We Have Faces) 是黃孫權於 2013 年底發起、由台灣高師大跨領域藝術研究所與中國美術學院跨媒體學院師生共組的亞洲社會運動田野與影像研究計畫。團隊在亞際書院首年啟動基金支持下，跑遍台灣、香港、日本、韓國、印度、馬來西亞、印尼、中國二十餘座城市，訪問上百個個人與團體；基金結束後，由團員自行募資延續，核心田野期 2013–2015，展覽與出版延續至 2017 年的台北立方空間《滋事》聯展與圖像出版計畫。
計畫的問題意識直白：「人民」「群眾」「大眾」這些詞太靜態，太常被別人扣在我們頭上。借 Antonio Negri 與 Michael Hardt 的「帝國三部曲」（Empire / Multitude / Commonwealth），把 multitude 從靜態名詞拆為動詞性的集合行動；借葛蘭西與 Stuart Hall 的接合理論（articulation），把連結者（articulator）視為奇異性（singularity）在共同行動中聚成複點（plurality）的關鍵節點。「諸眾」唯有當人們在某時某地為一件事聚合行動時，其面貌才浮現。
計畫累計完成五場展覽：2013 杭州中國美院《實驗教學展》、2014 上海雙年展《亞際書院論壇》（上海當代藝術博物館 PSA）、2016 上海 PSA《連結者峰會》（青年策展人計畫）、2016 北京中央美院第三屆 CAFAM 雙年展《空間協商》、2017 台北立方空間《諸眾之貌：滋事》聯展。完成三部紀錄片：《親密同志：香港獨立媒體的故事》、《福氣個屁！台灣工人樂隊黑手那卡西》、《思想的彈藥庫：左翼書店》。黃孫權並於 2016 年在台北立方空間「學實學校」主講為期一年、共十場的「諸眾之貌」講堂。
所有訪談稿、影像與資料庫以 Creative Commons 國際版 4.0 釋出，是「取自社會，還與社會」的開放實踐。完整資料庫、影片片段與後續活動見 multitude.asia 計畫主站與 Facebook 專頁。
"Till We Have Faces: Asian Social Movement Imagery" is a fieldwork-and-documentary research project on Asian social movements, initiated by HUANG Sunquan in late 2013 and built by a joint team of graduate students from the Graduate Institute of Interdisciplinary Art at NKNU (Taiwan) and the School of Inter-Media Art at the China Academy of Art. With seed funding from the inaugural Inter-Asia School grant, the team travelled to over twenty cities across Taiwan, Hong Kong, Japan, South Korea, India, Malaysia, Indonesia, and mainland China, interviewing more than a hundred individuals and collectives. After the grant ended, the team continued through self-organised crowdfunding; the core fieldwork phase ran 2013–2015, with exhibitions and publication extending through the 2017 Trouble-Makers exhibition at TheCube Project Space (Taipei) and the imagery publication campaign.
The driving question is plain: words like "people," "the masses," "the public" are too static, too often imposed from outside. Departing from Antonio Negri and Michael Hardt’s Empire trilogy (Empire / Multitude / Commonwealth), the project unfolds "multitude" from a static noun into a verb of collective action. Drawing on Antonio Gramsci and Stuart Hall’s theory of articulation, it treats the articulator as the node where singularities gather into plurality through shared action. The face of the multitude becomes legible only when concrete persons converge for a concrete cause in a concrete moment.
Five exhibitions were produced: Experimental Pedagogy (2013, China Academy of Art, Hangzhou); Inter-Asia Biennale Forum at the 10th Shanghai Biennale (2014, Power Station of Art); Summit of the Articulators (2016, PSA Young Curators Program, Shanghai, in parallel with the Shanghai Biennale); Space Negotiation, the 3rd CAFAM Biennale (2016, Central Academy of Fine Arts, Beijing); and Trouble-Makers (2017, TheCube Project Space, Taipei). Three completed documentaries: Intimate Comrades: The Story of inMediaHK, Damn the Blessings! Taiwan’s Workers’ Band Black Hand Nakasi, and Ammunition Depot of Thought: Leftist Bookstores. In 2016 Huang also delivered a year-long, ten-session lecture series on the multitude at TheCube’s Praxis School (Taipei).
All interview transcripts, footage, and archive materials are released under Creative Commons International 4.0—taken from the society, returned to the society. The full archive, documentary excerpts, and project updates are available at multitude.asia and the project’s Facebook page.