「帶電的孩子」是中國美術學院主辦、跨媒體藝術學院承辦的第八屆國際跨媒體藝術節（2025.10.17 – 2025.10.30），協辦單位為上海油罐藝術中心與 UFO Terminal，策展人閔罕，總策劃余旭紅。展名源自 1988 年電影《霹靂貝貝》裡能操控電流的少年，也指今天在屏幕下成長、與算法相往來的「帶電人類」。本屆與第十屆網絡社會年會聯合舉辦，展出範圍橫跨上海油罐藝術中心與 UFO Terminal。黃孫權以《文化與技術三部曲》中的兩部紀錄片《個人計算機與反文化》與《世界工廠：深圳，一座現實主義創新城市》影像輪播參展。
展覽主視覺 · 第八屆國際跨媒體藝術節
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帶電的孩子（第八屆國際跨媒體藝術節）
Electrified Kids (The 8th International Intermedia Art Festival)
Electrified Kids is the 8th International Intermedia Art Festival (17 – 30 October 2025), hosted by China Academy of Art and organised by its School of Intermedia Art, with Tank Shanghai and UFO Terminal as partner venues. Curated by Min Han, with Yu Xuhong as chief planner, the title alludes to an electricity-controlling boy in the 1988 film Pi Li Bei Bei and gestures at today's "electrified humans" who grow up under screens and live alongside algorithms. The festival is held jointly with the 10th Network Society Annual Conference. Huang Sun-Quan presented two documentary films on rotating loop — Personal Computers and Counterculture and World Factory: Shenzhen, A City of Realist Innovation — from his trilogy Culture and Technology.
展出作品 Works
- 01個人計算機與反文化Personal Computers and Counterculture
《文化與技術三部曲》矽谷章。由舊金山／矽谷田野訪談出發，梳理冷戰實驗室與 60 年代反文化如何交織成個人計算機的誕生。
Silicon Valley chapter of Culture and Technology: A Trilogy. Drawing on fieldwork in San Francisco and Silicon Valley, the film traces how Cold War laboratories and 1960s counterculture intertwined to give rise to the personal computer.
- 02世界工廠：深圳，一座現實主義創新城市World Factory: Shenzhen, A City of Realist Innovation
《文化與技術三部曲》深圳章。透過華強北、代工車間與新移民群像，勾勒以量取勝的「現實主義創新」如何塑造當代中國科技城市。
Shenzhen chapter of Culture and Technology: A Trilogy. Through Huaqiangbei, contract-manufacturing workshops, and portraits of new migrants, the film outlines how a scale-first "realist innovation" shapes the contemporary Chinese tech city.
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